Mammon: It’s touching to watch the fathers give their lives for their sons. It has got an interesting and stylish colour scheme.
Those That Kill: Dem Som Draeber: Everyone in this show is amazingly good looking, including the criminals! It’s almost hard to not be attracted to the criminals. I wonder if this was done intentionally to really imitate real life where criminals can be attractive and to provoke audience feelings and then self reflection on those feelings. Catherine the detective has an interesting life story and scars. She finds meaning in life in spite of her scars by helping others. The killers always seem to go for her and she ends up fighting for her life. She always seems to fight them off and be just at the point of killing them before the rest of the police force arrives to “chivalrously” save the killers from her self defence.
Everyone is always telling Catherine she needs to get her anger under control because the way that she deals with the criminals is very passionate and involves some amount of anger and passion for justice. This show gives a good discussion and contrast between good emotional scars and rage and bad emotional scars and rage. The show also touches on the question of whether people can abdicate responsibility for changing the world.
I found this show incredibly touching and deep, even though it had a very short lifespan as a TV series in Denmark. This show pulled me in from the start and got under my skin and made me feel things. I can’t remember the last time a TV show has affected me this deeply.
Sorrow and Joy: Sorg og Glaede: Jakob Cedergren does an incredible job of portraying a grieving father. He looks so incredibly believably sad. I found the part of the plot where the husband talks about how he got his wife to stop taking her medicine, which triggered her psychotic episode quite sad. It was also interesting that her mother was in such denial about her daughter’s illness that she thought her stopping medicine was a good idea. This made me wonder what causes parents to prefer to be in denial about children’s mental illness. The fact that this film is based on the true story of the director’s life added a lot to the impact it had on me and made it significantly more real. I couldn’t stop thinking that this had happened to the director of the film, the very storyteller.